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Warburg collected diverse images of human gestures and poses from different times and places, positioning them side by side to allow new relationships to emerge, and explore how meanings are constituted by the movement of imagery across time and space.

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Challenging these perceptions, Siobhan Lambert-Hurley highlights an elusive strand of autobiographical writing dating back several centuries that offers a new lens through which to study notions of selfhood.

In Elusive Lives, she locates the voices of Muslim women who rejected taboos against women speaking out by telling their life stories in written autobiography.

Songs passed down by Scotland’s source and revival singers – such as The Unquiet Grave and False, False – sit alongside titles from contemporary writers including Bob Dylan’s One Too Many Mornings and Pound a Week Rise, penned by Ed Pickford.

Siobhan’s unique vocal style has been honed through collaborations and studies with many of Scotland’s top musicians and traditional bearers, leading to extensive tours fronting her own band, as well as guest appearances with the National Theatre of Scotland, a season on Broadway in New York, and on US/UK TV drama Outlander.

Both Flight of Time (2015) and her most recent release, Strata (2017), were nominated for Album of the Year at the ‘Trads, highlighting her extensive range through traditional, contemporary and self-penned material, as well as her “delicate, nourishing vocals and lyrically rich compositions” (The List).

Following her well-received debut – produced by James Grant – her hotly-anticipated follow-up, Strata features eleven carefully chosen songs that Miller grew up listening to and performing in her youth – showcasing the many influences on her formative musical years.Her first monograph, (Routledge, 2007), emphasised the role of Nawab Sultan Jahan Begam of Bhopal, the female ruler of a Muslim principality in central India, in providing essential leadership and patronage to a burgeoning network of Indian women reformers.Emerging out of this work were two book projects that used travel writing by South Asian Muslim women to offer insights into imperial and global history: an edited edition of a nineteenth century hajj narrative entitled (Oxford University Press, 2010).There is strong interdisciplinary aspect to her research reflected in her analyses of how different literary genres, including reformist writing, travelogues and autobiography, have evolved in South Asia in the modern period.Her early work focused on Muslim women’s participation in socio-religious reform movements in India in the early twentieth century.Siobhan Davies Dance presents an ambitious new performance installation comprised of multiple contributions by choreographers, visual artists and designers.

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