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Dining room walls were brushed with a romantic mural of local flora and fauna by Don Jacobs, a Mississippi artist who created similar scenes for the governor’s mansion in Jackson, the state capital.RELATED: Get the Look of Tate Taylor’s Dream Kitchen by Shawn Henderson To help with Wyolah’s decor, Taylor called on his friend Shawn Henderson, a Manhattan-based designer whose ardently contemporary taste admittedly contrasts with Taylor’s admiration for all things antique.

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Octavia Spencer gets her first sinister leading role in the upcoming Blumhouse horror movie “Ma,” but beyond that she flips the script on one of the genre’s most long-standing and outdated stereotypes.

Everyone knows the one black character in a horror movie is the first one to die, which is why Spencer naturally figured that was the character that would be pitched to her when director Tate Taylor first called her to gauge her interest in starring in a genre movie like “Ma.” In an interview with Cinema Blend, Taylor said that “Ma” came together as a result of his desire to direct a movie about “something fucked up” and a conversation he had with Spencer in which the Oscar-winning actress told him that she was “sick of only being offered the same role and never getting to be a lead.” Taylor and Spencer are longtime friends and have worked together in films such as “The Help” and the James Brown biopic “Get on Up.” Jason Blum first brought the “Ma” script to Taylor’s attention and he immediately thought about Spencer even though the original draft was written with a white woman in the title role.

Recently he bought the plantation house next door and made it into a postproduction facility, while Wyolah hosts everything from visiting executives to workshops for aspiring filmmakers.

“When you are able to bring in creative types and businesspeople to a place like this, all the usual buffers are gone,” he says, adding that everyone cooks and eats together.

“It checked every box,” he says, noting that the property’s original summer kitchen—a freestanding brick structure that kept heat and potential fires at a distance—“sealed the deal.” Still, he adds, “I never thought I’d come back home.”It almost didn’t happen.

Wyolah’s then-owner, a Brooklyn doctor, bought the estate in 1976 with the idea of reviving it and retiring there with his wife.

“The first thing I did is I called Octavia, and I said, ‘Would you want to be in a horror movie? “She’s like, ‘Am I the black person who gets killed first?

’ I go, ‘No, you get to kill the people.’ She goes, ‘Yes.’ She goes, ‘Fuck yes, I don’t need to read it, I trust you!

’ ‘Well, you’re going to read it.’ So I came back to Jason, and they were like, ‘Really? '” The current version of “Ma” got fleshed out once Taylor and Spencer boarded the project.

The one part of the original script the two disliked was that it made “Ma” a complete monster that no audience member could sympathize with, so together they made it a priority to come up with an authentic backstory for the character.

Raw attic space was converted to a full third floor with four bedrooms en suite and a small kitchen and laundry room.

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