invalidating a patent - Jane austins guide to dating

Murphy offers the example of a very different Austen heroine: Consider Persuasion’s Anne Elliot: though perfectly good humoured, she is, on the whole, a serious person, even a grave person, for whom the sparkling repartee of an Elizabeth Bennet would be utterly out of character.

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(75) Wentworth praises her capability when Louisa Musgrove is injured in Lyme.

Overhearing her conversation with his friend Captain Harville, he writes, “You pierce my soul.” What finally recommends Anne to Wentworth is her demonstrated character, not her ability to make coy remarks or flatter his ego, as Louisa Musgrove does.

4.5 out of 5 Stars Cover image courtesy of Melville House © 2014; text Tracy Hickman © 2014, Disclosure of Material Connection: We received one review copy from the publisher in exchange for an honest review.

We only review or recommend products we have read or used and believe will be a good match for our readers.

Each chapter includes a black and white Victorian-era illustration from an Austen novel that ties in with the chapter’s subject and adds just the right touch of visual interest to the text.

Whether readers ultimately agree with Murphy or not, she presents thought-provoking viewpoints on women’s lives today, including but not limited to building healthy relationships.

For me, the only strike against was its excessive use of non-standard punctuation and the overuse of exclamation marks.

Editing these minor flaws would place this book firmly in five-star territory. Murphy has done an excellent job of blending light-hearted charm with reflections on the serious business of love and life.

Other Jane Austen rules include “Be a Woman, Not a Girl,” “Find a Man, Not a Guy,” (this chapter is especially painful for Frank Churchill fans) “Listen to What They Say,” “Be Quite Independent,” “Prove It,” and “Have Great Expectations.” In the final chapter “Reader, Marry Him!

” Murphy presents a take on the institution of marriage that may surprise some readers and also addresses Austen’s personal choice not to marry.

The novel, by contrast, was concerned with what women are really like, admitting—perhaps for the very first time—that women too have a fulsome interior life, with thoughts and feelings that are as crucial to get right as the actions that follow from them…And Jane Austen was at the forefront of it all, presenting to the Regency world a host of real women—so determined to do so, indeed, that she invented her very own narrative style, which gives the reader almost unrestricted access to the internal life of her female characters.

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