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A gay male who asks out another male can initiate the relationship but also enjoy the sensation of being a bottom in anal sex.

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This archetypal pairing is referenced more often in older yaoi volumes – in modern yaoi, this pairing is often seen as already encompassed by seme and uke or simply unnecessary to address.

The tachi partner is conceptualized as the member of the relationship who pursues the more passive partner, the latter of whom is referred to as the neko.

Yaoi can also be used by Western fans as a label for anime or manga-based slash fiction.

The term shōnen-ai (boy love) originally connoted ephebophilia or pederasty in Japan, but from the early 1970s to the late 1980s, was used to describe a new genre of shōjo manga, primarily produced by the Year 24 Group of women authors, about beautiful boys in love.

(1982) which showed a romance between two supporting characters, an adaptation of Kaze to Ki no Uta (1987) and Earthian (1989), released in the original video animation (home video) format.

The use of yaoi to denote those works with explicit scenes sometimes clashes with use of the word to describe the genre as a whole, creating confusion between Japanese and Western writers or between Western fans who insist on proper usage of the Japanese terms and those who use the Westernized versions.

In the early 1990s, however, these terms were largely eclipsed with the commercialization of male-male homoerotic media under the label of boys love. Yaoi works are available across the continents in various languages both through international licensing and distribution and through circulation by fans.

Yaoi works, culture, and fandom have also been studied and discussed by scholars and journalists worldwide.

Another way the seme and uke characters are shown is through who is dominant in the relationship – a character can take the uke role even if he is not presented as feminine, simply by being juxtaposed against and pursued by a more dominant, more masculine, character.

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